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Here
is an excerpt from Ken "Fast Kenny" Utterback's upcoming
book entitled "Memories From The Road". Kenny was Lead Guitarist
for PG&E from 1970-1972.
I know that folks like
to read the fun and happy times about our experiences, but not
all of my stint with PG&E was a bowl of cherries. Perhaps somebody
can relate to this chapter, or maybe even learn from it in such
a way as to not have to repeat mistakes that some of us made.
The
Downward Slide
After
manager Frank Cook fired Brent "Boogie" Block, we started to play
as a foursome. The road started to take its toll on all of us.
Cocaine and lack of sleep haunted most of us. The drummer, Ron
Woods, had a bout with pancreatic disease and we had to do a few
gigs on the East Coast with drummer and conga player Joe Lala.
(He is credited on one of Joe Walsh's albums as Joe "Percussion
for Cash" Lala) He played on the hit "Ride Captain Ride" (or was
it called "Mystery Ship") Anyway, no one could lay it down as
solid as Ron, and Joe's chops didn't really seem up to speed either,
so those gigs just didn't feel right.
When we finally got back playing with Ron, I remember a gig in
Hollywood that caused a turn in our direction. I forget the club,
but a reviewer who was there that night blasted us as "Led Zeppelin
wannabees" or something like that, and only named Charlie in the
bad review. He said the rest of our names weren't worth mentioning.
We took it to heart, of course, and Charlie started to think about
restructuring everything. We began auditioning horn players and
trying out new songs, which were not anything like the old "boogie-blues"
music of PG&E. Charlie started talking about having a Bobby 'Blue'
Bland type of band. (Big-band blues sound) The rest of us thought
Charlie had finally cracked. I think Frank Cook was behind it,
but he pretty much controlled Charlie, who was stoned most of
the time. Besides, Cook got his 15% off the top of whatever we
did, so I don't think he truly gave a shit. The morale of the
band started to nosedive.
Soon
thereafter I got a polyp on my esophagus, which burned like hell
when I ate just about anything. I took a plane home to Chicago
and went to my old family doctor, who told me to have all these
extensive tests and gave me a sheet with the ulcer diet plan on
it. He said that after the tests I would probably be put on this
diet. I figured I'd blow off the tests and just go on the diet.
I started drinking Malox and eating the blandest, room temperature
food I could get my hands on. It was during that time that I learned
to drink scotch and milk. Alcohol had become a major habit by
then.
Ron's
pancreitis never came back in full force, but he had to beef up
the hash and weed smoking, and tone down his booze habit. We all
had been drinking Jack Daniels like water for some time and a
couple of us were now seeing the downside. Charlie continued to
have mini-psychotic episodes in reaction to his coke and drinking
and scared us a number of times. Frankie (our bass player), who
lived with him in North Hollywood for a time, reported that Charlie
woke up one morning after a coke binge, grabbed his gun, paced
around the house for a bit and then said to Frank, "Where's my
coke?". Frank knew that they had snorted it all up the night before,
but Charlie wasn't so clear on it. As the reality of having no
coke sunk in, Charlie proceeded to go out on the balcony and take
a few shots at Jinx Dawson, the singer from Coven. She was sunning
herself on the roof of her house down the hill from Charlie's
place. I don't know how we never got busted for some of the stuff
we did.
Ron,
the vociferous one, finally banged heads with Frank Cook one time
too many and got himself fired. I was really pissed when Charlie
went along with it and showed my disgust by quitting the band
and leaving Hollywood in the middle of the night on a 'red-eye'
flight to Chicago. Alan Wachman, our head roadie, helped me get
my amp checked in to cargo and I was off to Wheaton without a
word of notice to anyone else.
I
spent the next couple weeks jamming with local friends and tripping
my brains out on some pretty pure mescaline for about a week straight.
It didn't take long before I tired of the slower lifestyle of
my old friends and yearned for the insanity I had left behind.
So, I made a call to Wachman just to kind of feel out the situation.
Charlie was pretty pissed off, but still wanted me back, so I
packed up my stuff and headed back to Hollywood.

Come back here soon for more of Kenny's memories
Kenny
also writes articles for Examiner.com as the Nashville Music
Examiner. Click
Here to read them, and check back frequently for Kenny's
latest posts.
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ymnastics in reverse, as two dozen glazed eyes
followed my movements without a word. It wasn't uncommon, back
in those days, for people in the travelling rock and roll business
to walk in and out of each other's lives without introduction.
I think we probably took the saying “live fast; die young” to
heart, and didn't see the need to constantly be introducing ourselves
and each other to the many people that came and went. In this
case, though, Charlie broke with that tradition. I later learned
that even after the door to the hotel room closed behind me, the
room stayed silent. That is until Charlie spoke up, introducing
me after the fact, and said to the stunned group, “That was Fast
Kenny Utterback, from Chicago, Illinois.” After that, they called
me Fast Kenny.
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